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Just leave us a message here and we will work on getting you verified. Though flawed, the sprawling, messy Gangs of New York is redeemed by impressive production design and Day-Lewis's electrifying performance.

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The visuals are strong, while the central narrative is weak a disastrous combination for a long movie. Worst of all, Gangs of New York achieves far too little while trying much too hard.

Barbara Ellen. It's never less than compelling, driven by an overwhelming, larger than life performance from Day-Lewis and by Scorsese's grandiose historical imagination.

As to what he means by it, I doubt he knows. Sandra Hall. Wonderful spectacle, terrific acting and toweringly great film-making. Peter Bradshaw.

The result reverberates on the screen with a deadly force and fury more intense than anything Mr.

Scorsese has yet achieved on the meanest and most beloved streets he could imagine or recall. Andrew Sarris. What we're left with has the patness of a history lesson about our roots and the melting pot and what it means to be an American.

Peter Rainer. Josh Larsen. Joshua Brown. You simply have to applaud the magnitude and ambition of Scorsese's vision - it really is New York conceived of on a grand scale.

PJ Nabarro. One of the most provocative films from Hollywood in recent times. Namrata Joshi. Gangs of New York is one of those haunting failures.

I can't get over it; it still gives me a pang every time I think of it. It seemed so filled with potential.

Eileen Jones. It's a punishing piece of work, this Gangs of New York. Spectacular, brilliant, but punishing-basically, one long brawl Amy Taubin.

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Cancel Resend Email. Gangs of New York Add Article. He emerges in his early 20s now played by Leonardo DiCaprio and returns to Five Points, still ruled by Bill, and begins a scheme to avenge his father.

The vivid achievement of Scorsese's film is to visualize this history and people it with characters of Dickensian grotesquerie.

Bill the Butcher is one of the great characters in modern movies, with his strangely elaborate diction, his choked accent, his odd way of combining ruthlessness with philosophy.

Barnum Roger Ashton-Griffiths , whose museum of curiosities scarcely rivals the daily displays on the streets.

Scorsese's hero, Amsterdam, plays much the same role as a Dickens hero like David Copperfield or Oliver Twist: He is the eyes through which we see the others but is not the most colorful person on the canvas.

Amsterdam is not as wild, as vicious or as eccentric as the people around him, and may not be any tougher than his eventual girlfriend Jenny, who like Nancy in Oliver Twist is a hellcat with a fierce loyalty to her man.

DiCaprio's character, more focused and centered, is a useful contrast to the wild men around him. Certainly, Day-Lewis is inspired by an intense ferocity, laced with humor and a certain analytical detachment, as Bill the Butcher.

He is a fearsome man, fond of using his knife to tap his glass eye, and he uses a pig carcass to show Amsterdam the various ways to kill a man with a knife.

Bill is a skilled knife artist, and terrifies Jenny, his target for a knife-throwing act, not only by coming close to killing her but also by his ornate and ominous word choices.

Diaz plays Jenny as a woman who at first insists on her own independence; as a pickpocket, she ranks high in the criminal hierarchy, and even dresses up to prey on the rich people uptown.

But when she finally caves in to Amsterdam's love, she proves tender and loyal, in one love scene where they compare their scars, and another where she nurses him back to health.

The movie is straightforward in its cynicism about democracy at that time. Tammany Hall buys and sells votes, ethnic groups are delivered by their leaders, and when the wrong man is elected sheriff he does not serve for long.

That American democracy emerged from this cauldron is miraculous. We put the Founding Fathers on our money, but these Founding Crooks for a long time held sway.

Scorsese is probably our greatest active American director Robert Altman is another candidate , and he has given us so many masterpieces that this film, which from another director would be a triumph, arrives as a more measured accomplishment.

It was a difficult film to make, as we know from the reports that drifted back from the vast and expensive sets constructed at Cinecitta in Rome.

The budget was enormous, the running time was problematical. The result is a considerable achievement, a revisionist history linking the birth of American democracy and American crime.

It brings us astonishing sights, as in a scene that shows us the inside of a tenement, with families stacked on top of one another in rooms like shelves.

Or in the ferocity of the Draft Riots, which all but destroyed the city. He learns that many of his father's former loyalists are now in Bill's employ.

Each year, Bill celebrates the anniversary of his victory over the Dead Rabbits; Amsterdam plans to murder him secretly during this celebration.

Amsterdam becomes attracted to pickpocket and grifter Jenny Everdeane, with whom Johnny is infatuated.

Amsterdam gains Bill's confidence and Bill becomes his mentor, involving him in the dealings of corrupt Tammany Hall politician William M. Amsterdam saves Bill from an assassination attempt, and is tormented by the thought that he may have done so out of honest devotion.

On the evening of the anniversary, Johnny, in a fit of jealousy over Jenny's affections for Amsterdam, reveals Amsterdam's true identity and intentions to Bill.

Bill baits Amsterdam with a knife throwing act involving Jenny. As Bill toasts Priest Vallon, Amsterdam throws his knife, but Bill deflects it and wounds Amsterdam with a counter throw.

Bill then beats him and burns his cheek with a hot blade. Going into hiding, Jenny nurses Amsterdam back to health and implores him to escape with her to San Francisco.

Amsterdam, however, returns to the Five Points seeking vengeance, and announces his return by hanging a dead rabbit in Paradise Square.

Bill sends corrupt policeman Mulraney to investigate, but Amsterdam kills him and hangs his body in the square. In retaliation, Bill has Johnny beaten and run through with a pike, leaving it to Amsterdam to end his suffering.

The incident garners newspaper coverage, and Amsterdam presents Tweed with a plan to defeat Bill's influence: Tweed will back the candidacy of Monk McGinn for sheriff and Amsterdam will secure the Irish vote for Tammany.

Monk wins in a landslide the election had been rigged by the Dead Rabbits , and a humiliated Bill murders him. McGinn's death prompts an angry Amsterdam to challenge Bill to a gang battle in Paradise Square for order, which Bill accepts.

Citywide draft riots break out just as the gangs are preparing to fight, and Union Army soldiers are deployed to control the rioters.

As the rival gangs face off, cannon fire from naval ships is fired directly into Paradise Square, interrupting their battle shortly before it begins.

Between the cannons, soldiers, and rioters, many of the gang members are killed. Bill and Amsterdam face off against one another until Bill gets wounded by a piece of shrapnel.

Amsterdam then uses his father's knife to stab Bill, killing him and ending his reign at last. Before they leave, Amsterdam buries Bill in a cemetery in Brooklyn next to his father.

As Amsterdam and Jenny leave the cemetery, the final scene of the film shows the skyline changing in a time-lapse over the next hundred and forty years as modern Manhattan is built, from the Brooklyn Bridge to the World Trade Center , and the cemetery becomes overgrown and forgotten.

At the time, he had noticed there were parts of his neighborhood that were much older than the rest, including tombstones from the s in Old St.

Patrick's Cathedral , cobblestone streets and small basements located under more recent large buildings; this sparked Scorsese's curiosity about the history of the area: "I gradually realized that the Italian-Americans weren't the first ones there, that other people had been there before us.

As I began to understand this, it fascinated me. I kept wondering, how did New York look? What were the people like? How did they walk, eat, work, dress?

In , Scorsese came across Herbert Asbury 's The Gangs of New York: An Informal History of the Underworld about the city's nineteenth-century criminal underworld and found it to be a revelation.

In the portraits of the city's criminals, Scorsese saw the potential for an American epic about the battle for the modern American democracy.

In , he acquired screen rights to Asbury's book; however, it took twenty years to get the production moving forward. Difficulties arose with reproducing the monumental city scape of nineteenth century New York with the style and detail Scorsese wanted; almost nothing in New York City looked as it did in that time, and filming elsewhere was not an option.

Eventually, in , Scorsese was able to find a partnership with Harvey Weinstein , noted producer and co-chairman of Miramax Films.

Production designer Dante Ferretti recreated over a mile of mid-nineteenth century New York buildings, consisting of a five-block area of Lower Manhattan , including the Five Points slum, a section of the East River waterfront including two full-sized sailing ships, a thirty-building stretch of lower Broadway , a patrician mansion, and replicas of Tammany Hall, a church, a saloon, a Chinese theater, and a gambling casino.

Particular attention was also paid to the speech of characters, as loyalties were often revealed by their accents. The film's voice coach, Tim Monich, resisted using a generic Irish brogue and instead focused on distinctive dialects of Ireland and Great Britain.

As DiCaprio's character was born in Ireland but raised in the United States, his accent was designed to be a blend of accents typical of the half-Americanized.

To develop the unique, lost accents of the Yankee "Nativists" such as Daniel Day-Lewis's character, Monich studied old poems, ballads, newspaper articles which sometimes imitated spoken dialect as a form of humor and the Rogue's Lexicon , a book of underworld idioms compiled by New York's police commissioner, so that his men would be able to tell what criminals were talking about.

An important piece was an wax cylinder recording of Walt Whitman reciting four lines of a poem in which he pronounced the word "Earth" as "Uth", and the "a" of "an" nasal and flat, like "ayan".

Monich concluded that native nineteenth-century New Yorkers probably sounded something like the proverbial Brooklyn cabbie of the midth century.

During the delays, noted actors such as Robert De Niro and Willem Dafoe had to leave the production due to conflicts with their other productions.

After post-production was nearly completed in , the film was delayed for over a year. The official justification was after the September 11, attacks , certain elements of the picture may have made audiences uncomfortable; the film's closing shot is a view of modern-day New York City, complete with the World Trade Center's towers , despite their having been destroyed by the attacks over a year before the film's release.

It was ultimately decided to keep the towers unaltered. Weinstein kept demanding cuts to the film's length, and some of those cuts were eventually made.

In December , Jeffrey Wells [ who? Wells reported the work print lacked narration, was about 20 minutes longer, and although it was "different than the [theatrical] version While Scorsese has stated the theatrical version is his final cut , he reportedly "passed along [the] three-hour-plus [work print] version of Gangs on tape [to friends] and confided, 'Putting aside my contractual obligation to deliver a shorter, two-hour-and-forty-minute version to Miramax , this is the version I'm happiest with,' or words to that effect.

In an interview with Roger Ebert , Scorsese clarified the real issues in the cutting of the film. Ebert notes,. His discussions with Weinstein, he said, were always about finding the length where the picture worked.

When that got to the press, it was translated into fights. Robbie Robertson supervised the soundtrack's collection of eclectic pop, folk, and neo-classical tracks.

Scorsese received both praise and criticism for historical depictions in the film. In a PBS interview for the History News Network , George Washington University professor Tyler Anbinder said that the visuals and discrimination of immigrants in the film were historically accurate, but both the amount of violence depicted and the number of Chinese, particularly female, immigrants were much more common in the film than in reality.

Poole did not come from the Five Points and was assassinated nearly a decade before the Draft Riots. Both the fictional Bill and the real one had butcher shops, but Poole is not known to have killed anyone.

Anbinder said that Scorsese's recreation of the visual environment of midth century New York City and the Five Points "couldn't have been much better".

According to Paul S. Boyer, "The period from the s to the s was a time of almost continuous disorder and turbulence among the urban poor. The decade from — saw more than major gang wars in New York City alone, and in other cities the pattern was similar.

As early as , Mayor Philip Hone said: "This city is infested by gangs of hardened wretches" who "patrol the streets making night hideous and insulting all who are not strong enough to defend themselves.

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Alberto Grimaldi , Harvey Weinstein. Mar 2, Leonardo DiCaprio Amsterdam Vallon. Cameron Diaz Jenny Everdeane. Liam Neeson "Priest" Vallon.

Jim Broadbent William "Boss" Tweed. John C. Reilly Happy Jack Mulraney. Henry Thomas Johnny Sirocco. Gary Lewis McGloin. Stephen Graham Shang. Martin Scorsese Director.

Jay Cocks Writer Story. Jay Cocks Screenwriter. Kenneth Lonergan Screenwriter. Steven Zaillian Screenwriter. Alberto Grimaldi Producer.

Harvey Weinstein Producer. Michael Ballhaus Cinematographer. Thelma Schoonmaker Film Editor. Dante Ferretti Production Designer.

New on Netflix in August. January 2, Full Review…. February 9, Full Review…. March 7, Full Review…. January 16, Full Review….

October 25, Rating: 2. June 27, Full Review…. October 31, Full Review…. April 10, Full Review…. View All Critic Reviews Nov 03, After his father is killed in a gang war Amsterdam Vallon is sent to a reformatory, and when he gets out he returns to his old neighborhood in lower Manhattan to find it being run by his father's killer, a nativist crime lord named Bill the Butcher; who he goes to work for, secretly plotting revenge.

Leonardo DiCaprio, Daniel Day-Lewis, and Cameron Diaz lead the cast and give strong performances; especially Day-Lewis, who does a fantastic job at creating a compelling villain.

However, the script is a little unfocused; with subplots about the Civil War and Tammany Hall. Still, some interesting themes are explored, and Scorsese does a good job at building tension and suspense.

While it has its weaknesses, Gangs of New York is a captivating film. Dann M Super Reviewer. Dec 03, Disjointed and overlong.

Probably Scorsese's weakest film. Spencer M Super Reviewer. Mar 30, The film's OK. Daniel-Day Lewis gives a great performance, and it's thrilling at some points.

However, it is overlong and melodramatic with awkward, uneven pacing. It can't help but feel like an overdone History Channel special overwhelmed by period piece cliches.

Matthew Samuel M Super Reviewer. Jan 08, Gangs of New York is one of those films that jumbles allot of ideas in it story which can results in a narrative mess.

Under Martin Scorsese direction, Gangs of New York is able to handle it's dialogue driven film nearly three hours long with a rich eye for detail and powerhouse cast that brings century New York to life.

Gangs of New York does shows sign of being a masterpiece, but it is never focuses on telling its story in a straightforward manner. Alongside a revenge story, it also jumbles a romance which goes underdeveloped, the birth and grow of America, racial issues, social class issues, and much more.

Because of this Gangs of New York does drag and at times stop for pointless moments. Yet, I never found it boring even if nothing significant was happening to move the story forward.

The plot is filled with interesting themes, characters, and exciting events that you become transported in this New York. It's a very complicated film to follow and to absorb every single detail thrown at you is no easy task either.

Which results in one of the most satisfying viewing for an epic drama of this scale. It contains romance, a complex narrative, dynamic characters, and so much that it's difficult not be immerse in such a film.

This epic wouldn't be complete with an outstanding cast and what a cast this film has. Daniel Day-Lewis is easily the best and gets every single bit about his role perfect.

Daniel Day-Lewis gets the Irish accent right with his savage and profane behavioral making what would otherwise be two dimensional character fully three dimensional with his portrayal of it.

Leonardo DiCaprio wasn't to bad either. He was very capable of holding his against the very impressive Daniel Day-Lewis. He carried the film well enough that he keeps you invested in what happens next.

Though DiCaprio does lack chemistry with Cameron Diaz. I did like the romance aspect of the film as it was a nice distraction from the other aspects, but not once did I buy the romance.

It was simply not all convincing. Other actors like Liam Neeson, John Reilly, and Jim Broadbent all make a strong presence in the film even if they're not screen as the leads.

Everything from the costumes to set design are rich with detail. Making even the most hideous of sights gorgeous to look at by the well handled cinematography.

It brings s century New York to life that it makes you wish you would never want to leave. It's not a masterpiece of any stretch, but it is a very impressive dramatic epic.

Caesar M Super Reviewer. See all Audience reviews. William Cutting "Bill the Butcher" : My father gave his life, making this country what it is.

Murdered by the British with all of his men on the twenty-fifth of July, anno domini, Do you think I'm going to help you befoul his legacy, by giving this country over to them what's had no hand in the fighting for it?

Why, because they come off a boat crawling with lice and begging you for soup? Amsterdam Vallon: Is there anyone in the Five Points who you haven't fucked?!

William Cutting a. Bill the Butcher: You know how I stayed alive this long? All these years? The spectacle of fearsome acts. Somebody steals from me, I cut off his hands.

He offends me, I cut out his tongue. He rises against me, I cut off his head, stick it on a pike, raise it high up so all on the streets can see. That's what preserves the order of things.

View All Quotes. Best Horror Movies. Worst Superhero Movies. Best Netflix Series and Shows. Go back. More trailers. No Score Yet. Magical Girl Friendship Squad.

Wild Life. Saturday Night Live. Austin City Limits. Eli Roth's History of Horror. If you think what we do is worthwhile, please donate or become a member advertisement The Gangs of New York R - 7.

Martin Scorsese film, set in New York City between and when Manhattan gangs of native-born and newly arrived New Yorkers battled each other for turf.

Leonardo DiCaprio stars as a young man out to avenge his father's death, Cameron Diaz is the pickpocket who helps him, and Daniel Day-Lewis is the gangster responsible.

It all takes place amid the crooked cops and corrupt politicians of the Tammany Hall era. Also with Liam Neeson and Henry Thomas. In one scene many women in corsets, with their breasts exposed, are shown kissing men, some men fondle the women, and a woman kisses another woman's shoulder.

One man has sex with a woman she's lying back on a table with her leg lifted and he's thrusting. A man and a woman kiss and moan, he unties her dress, kisses her neck and chest, she opens his shirt and kisses his bare chest.

A man and a woman kiss passionately, he lifts her up and presses her against a beam, they moan and have sex while another man watches they are unaware of his presence , and we see them later sleeping in bed together.

Three nude women we see their bare buttocks, backs and breasts lie with a man in bed. Two nude women lie in bed together we see their bare breasts and hips.

A woman kisses a man's face tenderly several times. A man tries to kiss a woman, but she punches at him. A woman chooses one man to dance with, from a lineup of men; they and a group of other men and women dance.

A woman opens her dress and we see her cleavage. A woman caresses a man's head lovingly. A man is wrapped in towels after bathing. A man winks at a woman and two men admire a woman as she walks away.

Women wear dresses that accentuate their cleavage and breasts tightly laced corsets. One of the gangs is referred to as the "he-shes" and they are men dressed like women.

Men are slashed and impaled, blood sprays from a neck wound, a woman with metal claws in her gloves tears at a man, and someone's leg breaks and we see it bent.

The wounded writhe on the ground, a man is knifed in the back, a man's mouth is stretched until it begins to spilt and bleed, and a man is stabbed in the stomach.

A man grabs a man's neck and is then stabbed in the side and falls to the ground we see blood on his hands and face and he's stabbed again, as his son cries over him.

A man pulls a gun on another man who throws a knife, hitting him in the stomach; the wounded man is then put on a table, the other man climbs on top of him, head-butts him repeatedly until his face is a bloody pulp, and then he is burned on the cheek with a red-hot blade.

A man stabs another man in the hand we see the knife sticking through his hand and into a table and hear him moaning.

A man is shot in the chest blood sprays from the wound , and the man who shot him is shot in the stomach -- we see lots of blood on the man's hands and clothing and a man steps on the man's stomach wound, threatens him with a knife and the man dies.

A wounded man his face is very bloody is tied to a fence and while another man is trying to free him, he screams in pain.

He's then shot in the head. A man throws a cleaver into another man's back: he then falls into glass breaking it, he falls to the ground and is then beaten on the head with a large stick we hear a crack when he's hit.

An African-American man is beaten and kicked by a mob with sticks, another is surrounded by a mob and presumably beaten, and we see a couple of other African-Americans hanging from lamp posts, and the feet of one are set ablaze.

A man is shot repeatedly blood pours from his wounds , a man is shot and hung from a lamppost, and a woman shoots another woman. Ships in a harbor fire cannons at the streets where people are fighting and pillaging, buildings are hit and rubble and debris flies everywhere, and people are covered in dust.

An army fires upon a gathered mob, blood spurts when people are hit, they jerk and fall a stream of blood forms on the street.

A man pulls a shard out of his side, another man shoves a knife into his stomach blood sprays , and the wounded man quivers and dies.

A man charges toward a group of soldiers and he's beaten and kicked to death. A man standing in a smoke-filled street is slashed on both legs by another man who's darting around him, and a soldier is killed by the wounded man.

People crash into a family's home, and a man shoots a few of them. A man fires a gun into the air and falls dead from a knife in his back we see the knife sticking out of his back.

Four men stand on gallows, with nooses around their necks, the hatches open out from under their feet and they dangle one man's son watches from the crowd.

Two men fight with really loud punches in the stomach and head, one has his head slammed into a wall, one is nearly stabbed, and one is held around the neck and his mouth is tugged on.

A bare-knuckle match has both fighters with very bloody faces, and one collapses. A man shoves a man against a wall and pokes a knife around his head, a man throws knives at a woman this is onstage but she seems frightened , and he throws knives at another woman who is grazed on the neck by one.

Two men hold knives on a man, they approach, he hits them both, gets a knife and holds it to the throat of one of them one has a very bloody nose.

A man screams in pain as a doctor tries to tend to his wounds.

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