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The first scene cements the intense passion the two share, although for a first-timer our protagonist Adele is suspiciously savvy, needing no direction.

Which brings me to my only technical gripe, which is the complete lack of talking. Lesbians talk during sex. A lot. A little talking helps steer the ship, as it could have with this movie.

It could have showed how these characters relate to each other, who is in control when, and how their sexual interaction mirrors their interaction outside the bedroom.

Would that not have been a good time to use sex to tell the story? Blue Is the Warmest Color is a work of art, it does not need to be realistic. But Kechiche failed in his mission.

So Dargis was right. But Kechiche admits it. If only he displayed the same respect for female artists as his fictional counterpart does. Set at a beach where gay men go to tan in the nude and tumble in the bushes, this paradise for the horny and lonely is disrupted when one of their own mysteriously drowns.

Guiraudie manages to infuse the glistening water with a menacing hue, and the sounds of breeze in the trees or footsteps on gravel assume an ominous timbre.

Nature can be dangerous, but human nature is lethal. By equating gay male sex with death, Guiraudie reminds us of the problematic tropes of the past, boldly declaring them no longer off-limits.

Unlike Kechiche, Guiraudie writes from his own experience, rather than striving to see the world through a different lens. He strips nude alongside his characters, liberating himself to reveal his dark inner nature.

Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here. We can fake these things, you can't fake feelings, but you can fake body language.

Of course it was kind of humiliating sometimes, I was feeling like a prostitute. Of course, he uses that sometimes. He was using three cameras, and when you have to fake your orgasm for six hours I can't say that it was nothing.

But for me it is more difficult to show my feelings than my body. It is this kind of statement that has left Kechiche fuming. He argues that it stops audiences going into the film with open hearts and that it paints a picture of him as a tyrant.

Kechiche demanded a level of realism in every scene, clothed on or not. He wants us to really be smoking a joint and drinking beer. Sometimes too much.

He wants to be close to the truth every time. We are drinking real wine. The man who plays the Emma's stepfather is one of the producers and he was so drunk in one scene.

You just listened to his voice and you knew it wasn't useable — he was so drunk and saying things that weren't the subject of the film.

And yet this is a film where it seems that the ends justified the means. If I do too many takes, I'm too self-conscious. I think I'm better in first scenes.

With Abdellatif, I knew that he was going to film takes. Sometimes I would come in and say, 'I don't give a shit' because I knew that he would get what he wanted.

I think the result is what is important. I think it's a beautiful result and beautiful film, I want to do beautiful films and it's not about me.

Despite this conciliatory statement from Seydoux, the war of words playing out in the media has demonstrated a breakdown in the relationship between actresses and director.

Seydoux claims not to know why and says that there will never be a second chapter. Still, her friendship with her co-star remains. She's not looking at herself, she has a boyish side that I like and she is courageous and she is real.

She is nature and beauty. I only have admiration for her. Already have an account? Log in here. Independent Premium Comments can be posted by members of our membership scheme, Independent Premium.

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